I remember when non-linear editing first came around replacing the old taped-base process. It freed up writer/producers/editors like me to sit by yourself in a darkened room lit by the soft glow of the computer screen and be an artist. The screen was my masterpiece and the video, music, sound effects, sound bites and announcer copy […]
I remember when non-linear editing first came around replacing the old taped-base process.
It freed up writer/producers/editors like me to sit by yourself in a darkened room lit by the soft glow of the computer screen and be an artist.
The screen was my masterpiece and the video, music, sound effects, sound bites and announcer copy were my paint, a palette to create something artistic.
I was reminded of that experience when I saw this video about how Ankur Patar, a digital artist from India, recreated Rembrandt’s stolen masterpiece, The Storm on the Sea of Galilee, entirely out of Adobe Stock, without ever leaving Photoshop.
To see the whole article about the creation of the video, click here.
https://www.youtube.com/watch?v=zCPom-4xkpw
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